Amy Winehouse: 'Lioness: Hidden Treasures' Album review
Published Dec 5 2011, 16:48 GMT | By Lewis Corner

The set opens with a rendition of Ruby & The Romantics' 1963 classic 'Our Day Will Come'; a breezy island-tinged reggae jam that was recorded at the beginning of the star's career in 2002. It highlights Amy's immeasurable talent from an early age and poignantly reveals the singer's aspirations that were bursting with hope and romanticism.
Conversely, the collection's next track 'Between The Cheats' - recorded some six years later - still retains Amy's penchant for love-lorn lyricism ("My husband is the finest handsome hustler/ And he still makes this housewife blush"), but it's with a darker and impassioned tone; almost certainly a by-product of her turbulent lifestyle at that time.
'Like Smoke', which includes Winehouse's favourite rapper Nas (the Mr Jones), is overflowing with promise - from Amy's discerning metaphors ("Like smoke, I hung around in the unbalanced") to Remi's smoky production. However, Nas's dominating contribution means that the track was probably far from completion at the time of her death. Meanwhile, the original version of 'Tears Dry' lacks the instant gravitas of what would become its final form, but the '68 version of her Zutons cover 'Valerie' is more successful; allowing her voice to shine without the frenzied backdrop of its parent.
The defining moment of the record arrives at the very end with a haunting rendition of Leon Russell's 'A Song For You' - though it's the Donny Hathaway version she channels here. The track concludes with a heart-wrenching moment of self-awareness where she states, somewhat ironically, that Hathaway "couldn't contain himself; he had something in him". It might lack the consistency and perfectionism of her previous records, but Lioness nonetheless serves as an intriguing insight of an incomparable talent the world has lost.

Tracks to download: 'Our Day Will Come', 'Valerie ('68 Version)', 'Like Smoke', 'Between the Cheats'
If you like this, you'll like: Adele, Duffy, Dionne Bromfield
Watch the music video for 'Our Day Will Come' below:









If it was a Katy Perry album you can bet DS would have given it 5 no matter how **** it was!
December 31st 2011 at 2:16am
Adrian Anderson Oh shut up. The only artist listed on your music section is Lady Gaga. What do you know about good music? Have fun with your Grace Jones-Madonna-Prince-AMY-Whitney-and every other successful artist of the last 30 years rip off.
December 29th 2011 at 9:58pm
Well Mr. Storey, all the previews ASIDE FROM THE POSTSCRIPT SECTION are from those albums.
December 29th 2011 at 9:02pm
Adrian Anderson I said FRANK & BACK TO BLACK. Not Lioness, an album she wasn't even alive to create. It was unfinished work and the final production/arrangement has nothing to do with her. And the review for Back to Black by Uncut gave the album 4 stars. How is that a bad review?
December 24th 2011 at 7:52am
Uncut 80 While never musically abrasive, [it] is riddled with enough trademark lyrical barbs and sung with sufficient Eartha Kitt-ish snarl that the listening is never too easy. [Nov 2006, p.134]
New Musical Express (NME) 50 Disappointing, then, that the eight-track 'bonus disc' opens with a cover of a cover: a lo-fi version of 'Valerie'. [Review of Deluxe Edition]
Rolling Stone 60 The tunes don't always hold up. [22 Feb 2007, p.76]
Oh and it's pretty easy to google and discover just how many people hate her ***** ass. I'm no hypocrite, dead or alive I'm not going to cover up dislike of her crude and vulgar music.
PS - Some material on Amy Winehouse's posthumous album 'would probably never have seen the light of day had the artist lived', writes Alexis Petridis..
Alexis Petridis is the Guardian's head rock and pop critic and the music editor of GQ magazine.
December 24th 2011 at 7:43am